Kronstorfer Messe, WAB 146 (Bruckner, Anton)

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Performances

Recordings

MP3 file (audio)
Stenov (2019/6/1)

MP3 file (audio)
Stenov (2019/6/1)

MP3 file (audio)
Stenov (2019/6/1)

MP3 file (audio)
Stenov (2019/6/1)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director/organist)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz 2017
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Sheet Music

Scores

PDF scanned by Bruckner-online
Cypressdome (2016/7/16)

Publisher. Info. Holograph manuscript, n.d.(ca.1843-44).
Copyright
Misc. Notes ca.300dpi color images. Source: Stift St. Florian (CRSA), Bruckner-Archiv, A-SF20-66.
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PDF scanned by Rob Peters
Rob Peters (2013/9/25)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Vienna: Ludwig Doblinger, 1984. Plate D. 16912.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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PDF scanned by Christian Kraus
Christian.kraus (2019/3/9)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.167-171)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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PDF typeset by editor
Alexander Reuter (2016/7/7)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Diacritic marks by the editor. Edited from holograph stored at St. Florian Abbey under signatory SF-20-66
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PDF typeset by editor
Lilysetter (2024/7/26)

Editor Lilysetter
Publisher. Info. Lilysetter
Copyright
Misc. Notes High quality Lilypond 2.25.6, 4 pages, 15 systems 28+29+23+42=122 bars
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General Information

Work Title Kronstorfer Messe
Alternative. Title Messe ohne Gloria [und Credo]
Authorities Wikipedia; BNF: 14805600z
Composer Bruckner, Anton
Opus/Catalogue NumberOp./Cat. No. WAB 146
I-Catalogue NumberI-Cat. No. IAB 50
Key D minor
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Kyrie (D minor)
  2. Sanctus (B major)
  3. Benedictus (D minor)
  4. Agnus Dei (F major)
Year/Date of CompositionY/D of Comp. 1843-44
First Performance. 1974-12-01 — Sankt Florian, Austria (St. Florian Monastery)
First Publication. 1984 - NGA: XXI, No.41 (Bauernfeind-Nowak)
Librettist Traditional
Language Latin
Average DurationAvg. Duration 5 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation mixed chorus (SATB)
External Links Wikipedia article

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Masses by Anton Bruckner


  • Referred as Messe ohne Gloria in d-Moll by Uwe Harten, pp. 288-289.
  • Presumably a mass for the Lent, a Credo was foreseen, but was not composed. The manuscript, with, on the front page, an autograph indication "Sine Gloria", contains two blank pages with an autograph indication that they were to contain a Credo in F major.